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melonenbrot:

I made myself some Sai brushes for soft coloring, I thought I could share them :3

Aug 30 / 135

Do you have any easy coloring tutorials for Paint Tool Sai?

Paint tool SAI is a nice little program, some of the benefits of using it over photoshop are that the load on the system is much less strenuous, and tools that many artists find helpful are already presets. Things like the intuitive water brush and the inking pens. While you can get these effects in photoshop, in generally takes a bit of fiddling/an idea of what you’re doing. 

That said, painting in Sai is pretty similar to painting in any layer based program, in that there’s lots of ways to do it, depending on how you want to render. I’m not exactly sure if you’re looking to colour some lineart or paint from scratch, but I will show you the resources that are currently on the blog for  SAI

Coloring 101 by Baruyon
Mini SAI Guide by Swaetshrit
SAI Settings by Payface
SAI Brushes by left—right

Once you’re comfortable with the colouring stage and navigating the program, really any digital or non digital colouring guide will be to your benefit. Here’s a few of my favourites, that focus on digital rendering and colour theory.

Rendering by min yum
Skin tutorial by Navate
Linda Bergkvist’s tutorials

swaetshrit:

I’ve had a general idea what these things did but wasn’t completely sure what their specific functions were. I decided to sit down and figure it out, and I have thrown together a short reference guide for anyone who is confused about them. I know there are multiple translations of SAI floating around, so if some of these terms don’t sound familiar, just know that I’m talking about the three settings that appear under the texture in the brush tool settings (note that this won’t apply to any tool types except for brushes and watercolor brushes).

I don’t claim to be an expert so if you find I’ve made a mistake, let me know so I can update it, thanks! :3

—-

BLENDING (Color Blending)

This controls how readily the brush will inherit any colors you are painting over with it. For example, a 0% blending setting will pick up no existing colors, treating it as if you were painting on a transparent layer. A 100% blending setting will ONLY pick up existing colors (provided there are any). So at 100%, the color you’re using won’t even show up, unless you move to a transparent area. Blending is not affected by transparent pixels, so if you’re drawing on a blank layer it will have no effect.

So you can see from this example that the color I’m using gets harder to paint as the blending increases and more of the existing green is absorbed, until at 100% it is just completely turning green.

—-

DILUTION (Opacity Mix)

This controls how readily the brush will draw on a blank (transparent) part of the layer. A 0% Dilution will result in the brush painting very easily onto a blank surface, while a brush with 100% dilution will literally not paint on blank parts of the layer at all. Dilution is ONLY affected by transparent pixels. So it won’t do anything if the whole layer is already filled in (even with white). Dilution can be thought of as the inverse of the Blending setting in some ways.

So in this example, you can see that as dilution approaches 100%, the color I’m painting with basically becomes invisible. In fact, if you were to switch to binary color mode and look at this layer, there would literally be nothing there anymore!

Keep this in mind - if you ever can’t paint for some reason, check your dilution setting, it might have gotten accidentally bumped to 100!

—-

PERSISTENCE

This one goes hand-in-hand with blending. Basically, it controls how easily a brush shifts color as you are blending from one color to another. Rather, how long it “persists” if you will. Like blending, Persistence is only really relevant when painting over existing color so it’s mostly unaffected by transparent pixels. Basically, the higher the persistence, the longer it will take for the color to shift as you make a stroke, and subsequently, from which color to which other color it is shifting is dependent on the blending setting.

So for this example I’ve done the same test with three different levels of blending. I turned off all pressure sensitivity (actually I just used my mouse) to emphasize the effects in a controlled environment:

If blending is at 0%, persistence fails to have any real effect. With pressure on, there is only the difference of having to push harder, but the results will be the same as far as I can tell.

At a happy medium of 50%, persistence increase causes the orange that the brush is picking up to last longer as it goes into the green, until it never shifts to blue at all.

At 100% blending, there was never any blue in the first place, because as we already know, full blending causes you to only pick up existing color. So the persistence setting changes only how fast the orange changes to green.

Persistence is dependent upon the blending settings, so having them somewhere in the middle will probably produce the most optimal results.

—-

CONCLUSION

Ultimately how you use these is up to you, and is largely dependent on what kind of brush you’re making and what it will be used for. And most of these settings are meant to be used together in unison, so play around with them a lot!

If you are confused, or not sure what settings you want or what settings you should be using, a safe bet is to put them all at about 50% - that will produce fairly average results that are easy to work with, and it’s easy to remember in case you want to experiment but don’t want to forget your settings in case you decide to switch back. 

Hope that helps!

oceanmaster:

alwaysprofessional:

notzilon:

One limiting thing about SAI is the number of brushes, as well as the difficulty in making them. Well, screw that! I was doing some digging, and I found some cool resources that everyone who uses this great program might be interested in. There’s others out there, but these are my favorites that I’ve found that I’m currently playing around with.

SAI Tutorial by algenpfleger : Basic run-down of SAI, but this explains the process of creating textures/brushes to add to SAI. It’s more complicated than, say, Photoshop, but is still pretty simple if you take them one step at a time.

9 Paint Tool SAI Brushes : Exactly what it sounds like. Very attractive brushes, along with an installation how-to. Includes chalk, soft, thick, and flat brushes.

Easy Paint Tool SAI Brushes : A few brushes and a large collection of textures! Textures include shell, stucco, rust, watercolor, and a lot of grungy/concrete/etc-type textures. Page includes installation notes.

Paint Tool SAI Pencil Brushes : Includes settings so you can re-create the effects shown, emulates graphite pencil. These are really, REALLY beautiful and accurate, I think!

future reference

Oh damn heck yeah.

Nov 27 / 10454

payface:

….hmmmmm…

For Photoshop, I just use the program’s default wet media, calligraphy and dry media brushes, and Freakshow’s brushes!

heysawbones:

left—right:

Here are the brushes I use! I definitely don’t use them to their full potential so if anyone else tries this out I’ll be excited to see what they can really do, lmao.

I put next to them what I generally use them for.

Crayon 1 just indicates that it’s not the default crayon tool.

And Marker is just an alteration on the default marker tool, it’s not a new one iirc.

Oh! And Brush 4 I got from Marcia.

→CHROMAKEY DREAMCOAT: Attempting to animate with Baru

baruyon:

Hi everyone!

I’ve been asked a few times how I make my little animations, so here is a little step by step of how I make one. I hope it makes sense and that you enjoy~

Disclaimer: I’m not a professional animator, or really much of an animator in general (although that’s…